FEATURES AT A GLANCE.

1.16, 24, 32 MODULE FRAMES with option 
of 2 Subgroup stereo  modules. (4 Groups)

2. Split Frame allowing a combination of 16 to
32 module frames, with the Linking Cable at
Line level with low source 'Z' of 47ohms.

3. Solid State Switching on all Assignment,
PFL, Channel On, and Monitor Select touch
buttons.

4. All Faders control balanced VCA's with
full remote control allowing both Fader or
Channel On stop/start via opto-isolators.

5. 4 Clean Feeds are provided allowing 4
C203 Telephone modules.

6. C203 Telephone module is fitted with caller
voice correction from 300Hz to 3kHz. Q-0.8.

7. Stereo Limiters/Compressors are fitted in
the C205 Programme Output module with
variable Ratio Compressor Ratio of 1 to 20.

8. The Timer can be controlled from faders
or 'Channel On'  buttons. A local override
control is provides for Manual Stop/Start on
C206 Control -room module.

9. Remote PFL opto-coupled switch on C202
Stereo module, provides for interface with
automation systems.

10. C207 Studio module is provided with a
remote port, this allows all facilities on the
switch unit 'Ex1-Ex2-Ex3-PGM-Aud-Sub' to
be activated from the studio independent of
the Control-room selection.
PFL can be routed to 'Ex1' -by jumper- for
Talk-back to callers on C203 Telephone module
on or off Air.

11. C202D Stereo Input Module. Option of Dual  
      Analogue and Digital AES3 and S/P-DIF Inputs
      Front Panel Select. 

12.Option of C208 module for 8 way balanced
stereo source selection. Plus Remote stop/
start facility -loop or pulse- for "HOT STARTS"

13.Balanced Transformer Outputs on
Programme, Audition and Subgroups as
standard. Allowing +26dBu @  20Hz.

14. Direct interface on Timer module for
CHILTON Studio switcher, controlling up to
8 Studios.

15. PC Bus Assembly connected in units 
of 8 modules, fully screened no ribbon cable.

16. +26dB Headroom throughout with ref.
levels of 0 to +8dBu.

17. Microphone maximum input level > +20dBu
maximum gain 100dB. Via subgroups 110dB.

18. Ducking or Voice-over with Manual or Auto
control and adjustable Attack and Decay.

19. Control-room Headphone Jack output
has power amplifiers suitable for conventional
or speaker type headphones, medium or low
impedance loading.

20. PS450 power supply is 4u rack or table
mounting, with integral fan mounted on rubber
insulators to reduce noise transmissions.
"SLEEP MODE" saves all solid state switch
settings during off air.

21. Faders are plastic conductive and with
a balanced VCA drive -both ports used- give
100dB's attenuation.
Linear law is used with electronic scale
calibration so each have identical performance,
module after module.